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    Home » The Greatest Showman: Really Wasn’t, Review
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    The Greatest Showman: Really Wasn’t, Review

    Mary Anne ButlerBy Mary Anne ButlerDecember 20, 2017No Comments
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    After the terrible personal disappointment that La La Land was, I was REALLY hoping the state of modern musicals was going to get better with The Greatest Showman.  We all know Hugh Jackman can sing, right?  Because he can, and he’s amazing.  The problem with him in this particular film is the post processing on his singing.

    Simply put, The Greatest Showman was a lot of attempted heart with very little true emotional payout.

    Based on the life of PT Barnum, the man who brought the circus to life in America during the 1800s, The Greatest Showman attempts to bridge a Moulin Rouge style Baz Luhrmann fever dream of costumes and staging with the lyrics and ‘sensibilities’ of the aforementioned La La Land.  Considering the same team did music and lyrics, it’s not surprising that much of my issue with the tunes is pretty similar to my complaints from last year.

    The Greatest Showman (2017)
    Zac Efron, Zendaya

    Not surprisingly, Zendaya is the best performance of the lot, even though she’s given a pretty predictable storyline.  She and Zac Efron are…mismatched really, but his turn in the film is fine.  Fine, I guess is the term I’d use for the entire thing?

    The songs are too long, the film really doesn’t know if it wants to be super melodramatic or dreamy romantic. The costumes don’t fit.  They really don’t. Yes, they’re circus performers and that means they can have crazy outfits and colors, but it’s still being presented as a period piece, right?

    SCORE: 1.5 out of 5, viewed in standard non 3d, no plans to see again

    The Good:

    I keep trying to find something positive here, and I guess I’ll go with the obvious- the main theme for the film is “everyone has a family” and “you don’t have to fit in to FIT IN”.  A truly admirable sentiment, but one that gets shoehorned in without really flushing the plot out.

    The Bad:

    It shouldn’t be this hard to get a ‘modern’ musical into a large scale film.  It REALLY shouldn’t.  I say modern, because there have been very few NEW entries into the genre in the last oh say 5 years.  Original work even less so.  As much as I personally can’t stand La La Land or The Greatest Showman, I will nevertheless applaud the tenacity of the teams who made them.  That said, I will not forgive over-processed vocal performances with talent of this caliber.

    There is this video from the production, right after Jackman had his skin cancer operation.  His voice in it, during a time he was NOT SUPPOSED TO BE SINGING under medical advisement, sounds better than all of the film:

    Give me a bare bones rehearsal hall of these folks practicing and I’m as happy as a clam.  Sometimes the trappings of cinema diminish what’s really there.

    The Greatest Showman opens in theaters on December 20th, 2017.

    20th Century Fox Greatest Showman Hugh Jackman musical review The Greatest Showman Zac Efron Zendaya
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    Mary Anne Butler
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    Mary Anne Butler (Mab) got her start in album reviews and live concert coverage for a nationally published (print) music magazine as a teenager. She eventually transitioned to online media, writing for such sites as UGO/IGN, ComicsOnline, Geek Magazine, Ace of Geeks, Aggressive Comix (Editor-in-Chief), Bleeding Cool (News Editor), Nerdbot (as Editor-In-Chief), and now [Bad]Influencers, where she is Editor-in-Chief. Over the past 15 years, she’s built a well-known reputation at conventions across the globe as a cosplayer (occasionally), photographer (constantly), panelist and moderator (mostly), and reporter (always). Interviews, reviews, observations, breaking news, and objective reporting are the name of the game for the founder of Harkonnen Knife Fight, a Dune-themed band. She also produces award-winning immersive events, including Wasteland Weekend and Neotropolis.

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