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    Home » The Criterion Channel: New Service Picking Up Where FilmStruck Left Off
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    The Criterion Channel: New Service Picking Up Where FilmStruck Left Off

    Mary Anne ButlerBy Mary Anne ButlerNovember 16, 2018
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    Perhaps you recall the recent petition to #SaveFilmStruck, and the notable Hollywood elite adding their voices to the chorus.

    It turns out that Criterion, the distribution company which focuses on licensing important classic and contemporary films and making them available to film aficionados, have picked up that call [kinda], and are launching their own version of the service.

    The Criterion Channel: New Service Picking Up Where FilmStruck Left Off

    Specially, it was announced today, by launching their own Criterion Channel, which will reportedly pick up where FilmStruck left off. Criterion.com posted about this new service in a lengthy entry to their website, which you can read here, or scroll down.

    We are incredibly touched and encouraged by the flood of support we’ve been receiving since the announcement that FilmStruck will be shutting down on November 29, 2018. Our thanks go out to everyone who signed petitions, wrote letters and newspaper articles, and raised your voices to let the world know how much our mission and these movies matter to you.

    Well, if you loved the curated programming we’ve been doing with our friends at FilmStruck, we have good news for you. The Criterion Collection team is going to be carrying on with that mission, launching the Criterion Channel as a freestanding service in spring 2019.

    We’ve been trying to make something a little different for the past two years—a movie lover’s dream streaming service, with smart thematic programming, where the history of cinema can live and breathe, where a new generation of filmmakers and film lovers can explore the classics or revel in rarities, where adventurous cinephiles can champion films that have never gotten their due, and newcomers can easily find guidance from major filmmakers, top scholars, curators, and other experts from all walks of life.

    The Criterion Channel will be picking up where the old service left off, programming director spotlights and actor retrospectives featuring major Hollywood and international classics and hard-to-find discoveries from around the world, complete with special features like commentaries, behind-the-scenes footage, and original documentaries. We will continue with our guest programmer series, Adventures in Moviegoing. Our regular series like Art-House America, Split Screen, and Meet the Filmmakers, and our Ten Minutes or Less section will all live on, along with Tuesday’s Short + Feature and the Friday Night Double Feature, and of course our monthly fifteen-minute film school, Observations on Film Art.

    Our library will also be available through WarnerMedia’s new consumer platform when it launches late next year, so once both services are live, Criterion fans will have even more ways to find the films they love.
    We will be starting from scratch, with no subscribers, so we will need all the help we can get. The most valuable thing you can do to help now is go to Criterion.com/channel and sign up to be a Charter Subscriber, then tell your friends to sign up too. We need everyone who was a FilmStruck subscriber or who’s been tweeting and signing petitions and writing letters to come out and to sign up for the new service. We can’t do it without you!

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    Criterion Channel Criterion Collection FilmStruck
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    Mary Anne Butler
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    Mary Anne Butler (Mab) got her start in album reviews and live concert coverage for a nationally published (print) music magazine as a teenager. She eventually transitioned to online media, writing for such sites as UGO/IGN, ComicsOnline, Geek Magazine, Ace of Geeks, Aggressive Comix (Editor-in-Chief), Bleeding Cool (News Editor), Nerdbot (as Editor-In-Chief), and now [Bad]Influencers, where she is Editor-in-Chief. Over the past 15 years, she’s built a well-known reputation at conventions across the globe as a cosplayer (occasionally), photographer (constantly), panelist and moderator (mostly), and reporter (always). Interviews, reviews, observations, breaking news, and objective reporting are the name of the game for the founder of Harkonnen Knife Fight, a Dune-themed band. She also produces award-winning immersive events, including Wasteland Weekend and Neotropolis.

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