Author: Bill Watters

We’re following along as the Los Angeles Film Critics Association has their daylong fete and votes on their favorite films from the past year. There’ll be films ranging from the start of the year, all the way up to ones that haven’t yet released. We’ll be adding commentary as the winners and runner-ups are announced […]

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[rwp-review-recap id=”0″] The Disaster Artist, a film about the making of a film, exudes a sense of near-obsession with its subject. That subject is The Room, the 2003 indie film that is considered either the most brilliant art-film ever or the worst insult to filmmaking of all time. If Ed Wood and his legendarily bad films like […]

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[rwp-review-recap id=”0″] Now, before anyone starts howling, “but what Wonder Woman?” WW is unquestionably wonderful both within the annals of comic films, as well as a film in general for both impact on popular culture and capturing the zeitgeist of the moment. However, here we’re talking Justice League as a part of a larger whole. Wonder […]

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[rwp-review-recap id=”0″] Murder on the Orient Express, based on the classic mystery novel by Agatha Christie and put through the lens of director Kenneth Branagh (who also plays the lead role of Hercule Poirot), is a beautiful adaptation — but still carries with it the eccentricities of having been written in 1934. Now, before racing to the […]

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